She graduated from Newcastle University in 2019. Working between painting, drawing, sculpture and textiles, Matilda’s practice is a kind of storytelling through image and object. Drawing from Posthumanist and Feminist philosophies, myth, literary and historical narratives, her inquiry is into how we categorise our world and ourselves.

Complicating the boundaries of what our culture tells us about what we are, her practice takes ‘gender’ and ‘species’ in its hands to prod and poke them. This usually results in large paintings on paper, drawings, and cloth sculptural objects.